What Does a >100% Rec.709/DCI-P3 Color Gamut Mean?

In the field of color reproduction, experts use the term color gamut to describe the range of colors within the overall spectrum of visible colors (also known as a color space) that an imaging device is able to reproduce. A projector with a wider color gamut is able to reproduce more colors in the visible spectrum. One of the most common methods used to visually represent a color gamut is with a triangle drawn within the CIE color space diagram, where each corner of the triangle represents the purest red, green, and blue that the device is able to reproduce.

However, given that projectors are just one type of device within the larger imaging ecosystem that includes other devices such as cameras, displays, and so on, defining their color gamuts is not enough to describe their color performance. This is because the manufacturers of each type of device in the ecosystem need to make sure that every color in their devices’ color gamut is defined the same across the board, otherwise, when trying to reproduce the same image, each device would come up with different versions of each color. That’s where the Rec.709/DCI-P3 color gamut comes into play.

Rec. 709 is a color gamut developed by the ITU Radiocommunication Sector (ITU-R) that acts as a standard used by much of the high-definition display and projector industry to ensure that all the devices on the market that adopt it as their standard are on the same page in terms of color. In other words, by using a standard like Rec 709, manufacturers can share a common language for the colors they use, so that the "cherry red" one manufacturer uses is the same "cherry red" produced by another manufacturer.

DCI-P3 is a common RGB color space for digital movie projection in the American film industry. DCI-P3’s range is 26% larger than sRGB/Rec.709.

With the color standard in hand, many brands have found that one of the most convenient ways to characterize their product’s color gamut is as a percentage of the Rec.709/DCI-P3 color gamut. While doing so seemingly helps the consumer quickly understand the degree to which a device can reproduce the Rec.709/DCI-P3 standard’s colors, this kind of description for a color gamut can be easily misinterpreted, particularly when a brand advertises a color gamut that exceeds the Rec.709/DCI-P3 color gamut, such as 125% of Rec.709/DCI-P3. By advertising a color gamut with 125% of Rec.709/DCI-P3, the implied message is that this device’s color gamut not only fully covers the Rec.709/DCI-P3 color gamut but also includes more colors.

The truth is the claim that a color gamut 125% of Rec.709/DCI-P3 only means that the overall size of the respective product’s color gamut is over 100% of the size of the Rec.709/DCI-P3 color gamut, it does not necessarily mean that said color gamut covers 100% of Rec.709/DCI-P3 plus an additional 25%. There can be many instances where 125% of the color gamut covers 90% or less of the color gamut, as seen in the image below.

The proper way of communicating how much of the color standard is covered by a color gamut instead is through “color coverage.”

As mentioned above, a device with a color gamut that exceeds the color standard does not necessarily mean that it is able to reproduce all the colors in the Rec.709/DCI-P3 standard. Color coverage better expresses a device’s capability to do so because it actually represents the percentage of overlap between the device’s color gamut and the color standard. A device with a color coverage of 95% of Rec.709/DCI-P3 is guaranteed to be able to reproduce 95% of the Rec.709/DCI-P3 color gamut accurately, while a product with over 100% of color gamut might only be able to reproduce 90%.

Color gamuts that exceed the size of the color standard but feature a lower than 100% color coverage will actually lead to issues with their color accuracy, including color deviation and oversaturation. This is due to the fact that because Rec.709/DCI-P3 is used as a standard to sync up colors across devices, any device whose color gamut features large chunks outside of the color space boundaries, as is the case with devices that have large color gamuts but lower color coverage, will produce colors that deviate from the colors produced by another device that has adopted the Rec.709/DCI-P3 standard. Similarly, oversaturation will also occur when the areas of a large color gamut that lie outside of the color space boundaries skew towards a specific color, most commonly red.