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Dong, Dong

Photographer / China

  • Member of China Photographers Association (CPA)
  • Winner of 12th China Photography Golden Statue Award

I am one of the early researchers of digital imaging in China. For me, the workstation is crucial. This includes monitors, printers, and all color management devices. They are essential to my work. In 2019, I started using BenQ's professional monitors, and they have been incredibly helpful in my work. They are important tools that I can rely on, allowing me to establish my professional standards across different usage scenarios.

What was the catalyst for your initial entry into the photography industry?

The initial catalyst for my introduction to cameras was simply "liking" or rather "loving" them. When I was young, studying abroad exposed me to a foreign life, prompting me to pick up a camera to capture the people, scenery, and everyday moments around me. Gradually, it became an important tool for expressing my thoughts and emotions. Through years of learning and using, cameras have become an integral part of my life.

How do you think the photography industry has changed since you first started? What are the general employment directions for your students now?

Today, the photography industry is becoming increasingly intertwined with people’s daily lives. This means that it's becoming easier for everyday people to access photography equipment and participate in photography activities. Significant changes such as shifts in social media, the increasing intelligence and portability of different photography devices, and the evolution in methods for distributing images have all contributed to these transformations. Additionally, the development of AI (Artificial Intelligence) is directly impacting today's photography industry.

Employment opportunities in the photography industry are quite diverse. Aside from becoming photographers or artistic creators, individuals can also pursue careers as photo editors, film and media planners, colorists, and post-production roles. Therefore, employment prospects in the photography industry are broad, making it relatively accessible for students from various backgrounds.

As the Photography Department director at Beijing Institute of Fashion Technology, how do you maintain your creative mindset? Do you still face challenges in post-production with your current projects?

As a teacher lecturing at universities, especially in art disciplines, I see myself as an explorer and a progressive creator. This mindset allows me to closely integrate with contemporary society to explore my own works. I continuously gather and summarize ways of thinking and knowledge domains, which I then bring into the classroom to teach students. Teaching is a tremendous self-driving force that must never stop. Each time I teach, I'm actually reorganizing my own theoretical thoughts, and the theoretical refinement transforms into a source of inspiration for my own creative work.

"Difficulties" have never disappeared. Every true artist who loves creating art doesn't want each piece to be the same or repetitive. Therefore, every shoot presents a new challenge where the quality of creation improves, methods evolve, and concepts are refined. For me, each photo and each creative process is unique. So, "difficulties" are always present. They never disappear.

What constitutes good photography work in your opinion?

A good photography work or a good piece of art, in my opinion, is fundamentally one that prompts viewers to "reflect," with the key element being "empathy." It's about whether the viewer can empathize with the photograph, and whether the image allows them to connect with the photographer's perspective. Are we capturing images to satisfy our own desire to see the world, or are we using our work to change how others perceive the world? This is an important realm of consideration.

So, defining a good piece of work involves both technical and conceptual aspects of creation. These aspects determine the quality of the work. Beyond these, what surpasses them? I would say it's the "emotional impact." What does emotional impact mean? It's a kind of intuitive response to the world, matured through thoughts and comprehensive technical skills. This intuitive response directly influences the viewer and fosters empathy with the artwork. To me, this is what makes a photograph truly good.

For young photographers aspiring to pursue a professional career, do you have any advice or experiences you can share?

There are two pieces of advice. I transitioned from an amateur photography enthusiast to a professional photographer. In this process, two points were crucial. When I was 20 years old and just starting out in photography, I showed my immature photos to a former neighbor, an artist. She told me, "If you truly love art, then you must persevere." This became a significant motto for me: "Persistence." Since that day until now, I have persisted for almost 30 years. Another piece of advice is "courage." In this growth process, one must have the courage to self-criticize. Do not fear setbacks, criticism, or suggestions from others. Always strive to break out of your comfort zone.

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